Archive for the ‘News’ Category

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Pauline Masurel has handed in a rave review of Eibonvale’s railway anthology ‘Rustblind and Silverbight’ over at The Short Review website. Pauline writes:

“There are twenty-four stories in this chunky book, which is billed as A Slipstream Anthology of Railway Stories. Many of the stories take liberties with reality, slipping effortlessly into fantastic worlds, but many of them are also quite strongly rooted in reality. This seems appropriate, given that railways are part of the edgelands, borderline places that divide landscapes. The book isn’t a cyberpunk, geek-fest of futuristic fiction but more of an insidious virus eating away at veracity. If ‘strangeness’ is the primary defining feature of slipstream literature then this collection has it by the carriage-load…

…This book may not be the ideal Christmas gift for a trainspotting old buffer (although it might be just the ticket if he or she has suitably open-minded, eclectic reading tastes). But I think it could induce at least a modest portion of train-appreciation in the most vehement rail-deniers. Reading this anthology I became convinced that every story should have a railway in it somewhere; it’s just that no one has realised this before. Try it out for yourself, but don’t forget to mind the gap…”

Our thanks to Pauline. Please do support her website by reading the review in full.

Rustblinder…

Posted: October 27, 2013 by douglasthompson in News, Reviews, Rustblind and Silverbright

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Nick Jackson (author of The Secret Life Of The Panda) has given Rustblind and Silverbright are rattling good thumbs-up, writing over at the reviews section of the most excellent Sein Und Werden magazine. Nick writes:

“Taking its title from a story by Wolfgang Borchert, this anthology is a shrine to the railway in all its manifestations and draws as much on the iconic status of these iron behemoths as on the collective psyche of railway buffs that worship them. There’s not a train spotter in sight and there are no pieces about the Orient Express, the Trans-Siberian railway or any of the world’s other great train lines but to my mind the anthology is all the better for it, looking beyond these clichéd images of railways at what makes them such lasting objects of fascination. Railways feature as subjects of obsession or in the form of a developing fanaticism into which the characters are slowly, sometimes unwillingly, drawn…

…I found this a hugely enjoyable collection and whatever their individual merits, there’s a synchronicity which makes the stories ping off each other in a very satisfying way. David Rix has brought together a bunch of stylistically disparate stories and, though I have my favourites, I think the weaker are improved by their placement in the anthology. The stylistic excesses of several gave an astringent edge to the deadpan delivery of others.”

Please do read the review in full, because Nick seems to have taken the time review almost every single story in a decent amount of detail, which is quite a feat. Cheers, dude.

Leaves on the line…

Posted: September 19, 2013 by douglasthompson in News, Reviews, Rustblind and Silverbright, Uncategorized

Rustblind 5-extractOops… looks like my brain has been so overworked and understaffed that it neglected to mention one of our recent reviews. Not to worry, I’ll make it up to you now with an endless string of apologies announced over a deafening tannoy system. The great Sami Airola of the Rising Shadow website has written glowingly of Rustblind and Silverbright, and in considerable depth, giving it 5-out-of-5 stars and describing it as one of the best anthologies of the year. Sami writes:

“…I liked all the stories in this anthology, so it’s difficult for me to choose my favourite stories, but if I had to pick a few stories, I’d probably pick these stories: Nina Allan’s Vivian Guppy and the Brighton Belle, Andrew Hook’s Tetsudo Fan, Rhys Hughes’ The Path of Garden Forks, Joel Lane’s The Last Train, Allen Ashley’s On the Level, Daniella Geary’s Death Trains of Durdensk, Jet McDonald’s The Engineered Soul, Steve Rasnic Tem’s Escape on a Train, Danny Rhodes’ The Cuts, Christopher Harman’s Sleepers, Steven Pirie’s Not All Trains Crash, Matt Joiner and Rosanne Rabinowitz’s The Turning Track, and Douglas Thompson’s Sunday Relatives. All of these stories (and also the ones that aren’t mentioned here) are worth reading and praising.

I dare say that Rustblind and Silverbright is the most versatile speculative fiction anthology of the year. Some of these stories are touching and beautiful while others are weird, shocking and disturbing, so there’s something for everybody in this anthology. This anthology will be of interest to both experienced readers and newcomers, because it contains diverse stories that have plenty of depth and atmosphere in them.

I give this unique and versatile anthology full five stars and I highly recommend it to all readers, because it contains original and fascinating speculative fiction stories about trains and railways. All the stories in Rustblind and Silverbright are fine examples of how versatile and well written speculative fiction stories can be and how much they offer to the readers in terms of depth, characterization and storytelling. If you’re thinking of reading only one anthology this year, please make sure that it is Rustblind and Silverbright, because you won’t regret reading it.”

Our thanks as ever go out to the tireless Sami Airola, Finland’s greatest export.

Arriving at Platform 3…

Posted: September 16, 2013 by douglasthompson in News, Reviews, Rustblind and Silverbright

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Charles Packer over at the Sci Fi Online/Review Graveyard website, has reviewed our railway anthology ‘Rustblind and Silverbright’ in glowing terms, giving it a spectacular 9 out of 10.

Charles writes:

“Rustblind and Silverbright is a new collection of Slipstream stories edited by David Rix and published by that excellent purveyor of quality stories, Eibonvale Press, based around the themes of trains and their stations. If you have not read any Slipstream, it is a genre of writing which has shrugged off known genre chains, pulling influences from multiple literary influence to produce something which is both unique and deliciously unpredictable…

As you can imagine with so many writers telling tales set around a single theme, there are some similarities between some of the stories, a restriction born of only having two settings. And yet not a single author failed to turn in something worth reading…

…It’s difficult to pick a favourite amongst the collection, some are creepy, Death Trains of Durdensk is able to be touching and creepy concurrently with the idea of placing the dead on a train which just travels round the tracks, which is contrasted with outright romances or rites of passage.

The collection is strongly edited and an excellent way of discovering the authors at the cutting edge of slipstream literature.”
Our sincere thanks to Mr Packer, and do remember to read his review in full here.

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Cover not final!

Making the selection of works for our anthology of railway stories Rustblind and Silverbright was a challenging process and many interesting stories fell by the wayside.  In the case of this spectacularly dark, lively and brash novella by Poppet, which was just too big for the anthology, we decided to bring it out as a separate book – Moonshine Express.  This will be available individually and alongside Rustblind and Silverbright, making a very good pairing.  This is Poppet’s first appearance in hardcover – or as she put it, “There’s so little ‘virgin’ left in my author world, and David is popping the hardcover cherry! A first! That totally rocks!”  A phrase I will just leave hanging in the air with no further comment.

Click the image to find out more.

Coincidentally, I am hoping that this book will launch a new line of Eibonvale novellas (about which more later). Look forward to pre-ordering the hardcover of BOTH titles starting from 22nd June at 6PM, including some nice special touches provided by Poppet – but I will be formally announcing that in the next post!

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Attention world! The paperback version of Defeated Dogs by Quentin S Crisp has now gone to the printers and is available for order through the Eibonvale website for dispatch in a couple of weeks – later on through Amazon etc. as well. As usual, I hope you will go through the website if at all possible, that way I actually get paid a little! :-) And with launch events and major expeditions looming, I need it! As usual, Postage is free in the UK, USA and Australia. If you are from anywhere else, please email me. Thanks folks!

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Talking of trains (and we have been talking of trains rather a lot here recently at the Eibonvale Terminus), or is it buses, what is it they say about three coming along at once?
First up, Charles Packer over at Sci Fi Online, has given Rhys Hughes’ 23rd published book (wow!) ‘Tallest Stories’ a rather respectable 8/10. Charles writes:

“…Normal literary conventional barriers are broken and both the author and the audience, at times, become active participants. With its stories within stories, it’s akin to a juxtaposition of Monty Python and Kafka where the stories can coexist as horribly absurd and absurdly horrible.

As you get into the book the stories become self-referential, slowly building up a complete picture of the tavern and its patrons. Hughes intends to complete a cycle of one thousand stories which are all interconnected and not just in a linear form, as such Tallest Stories acts as a taster for the eventual wider work. Each tale is headed with a drawing by David Rix, who also created the book’s cover…

…It’s a clever book written with wit and a good eye for a humorous turn of phrase. Read carefully, there is a lot of philosophical meat to the overall book, although if this is not your bag the stories can be read for the giggles alone.”

Next “Gav” at Mass Movement Magazine has reviewed ‘Tallest Stories’, saying among other things:

“…A little tavern in Cardiff docks where the currency is a good story and all of the patrons seem to have a brilliant tale to tell forms the basis for ‘Tallest Stories’ and all of the brilliant tales are present and correct in this collection penned by Rhys Hughes. Every separate tale is a great stand-alone piece, each one incedibly inventive and different from the last, but at the same time, each story seems to sit perfectly well alongside all the others in the collection. Hughes’ writing is easy to follow and enjoyable…”

Last but not least, the legendary D.F Lewis has done one of his mind-boggling real-time reviews of the book, which are always a challenge for chaps like me to paraphrase, but here goes:

“…the multifarious pieces of internal (and cover) art by David Rix are wonderful and give the whole book a definite character. Based on my nostalgic, old-fashioned experience of secondhand bookshops, I can imagine one where somebody much younger than me pounces on this hard copy book as the optimum book to be found in any secondhand bookshop ever – surely because of its durable soul as a book. I can give its overall production no greater praise…

…Rhys Hughes’ work often reawakens my own waking dreams when, as a child, being put to bed too early, I imagined all sorts of weird and wonderful reality-steeped fabrications. Hughes has uniquely taken this ability into an adulthood creativity – for the benefit of resummoning this nostalgic activity for fellowkind and, accepting that, we should all be grateful.

…I think I have already shown the prevailing factors that make this a seriously great book, possibly Rhys Hughes’ greatest book so far. And the production qualities, story-heading images, designs etc by Eibonvale Press and David Rix do it proud.”

Hearty thanks as ever to all these reviewers. Please check out their respective websites in full.

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Congratulations to Alison Littlewood, who has bagged not one but TWO places in the Mammoth Book of Best New Horror 24, edited by Stephen Jones.  This includes a piece in Eibonvale’s anthology Where are we Going? edited by Allen Ashley and The Eyes of Water from Spectral Press.  As well as being bloody exciting news for Alison and for Allen Ashley no doubt, this is pretty exciting here as well, since it is still one of the first time the maverick Eibonvale has found its way into one of these ‘best-of’ anthologies.  Time to raise a little glass of something (maybe sloe gin?) in a vague but happy toast to lively and brilliant literature in general I think!

Oh and also <commercial> don’t forget that Where Are We Going? is currently available as part of the sale Eibonvale Press is running!  </commercial>  (Heheh – sorry for the nerdy humour!)

Automata at Agony Column

Posted: May 8, 2013 by douglasthompson in An Emporium of Automata, New Titles, News, Reviews

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Seasoned reviewer Mario Guslandi has reviewed D.P Watt’s An Enporium of Automata over at The Agony Column website, picking out six stories in particular which he enjoyed most. Mario writes:

“If you ask me what kind of writer is DP Watt, my answer is that it’s hard to tell. Partly a horror writer, partly a new “decadent”, by all means a creator of weird fiction, somewhere between ETA Hoffmann and Ligotti. The present collection (previously published in hardcover edition from Ex Occidente Press) effectively represents the many faces of this eclectic author continuously shifting from the bizarre to the grotesque, from the baroque to the uncanny…

..”All His Worldly Goods” is an excellent mix of horror and nostalgia where a copy of Montague Summers’ famous “The Supernatural Omnibus” keeps haunting a lonely bookshop clerk while “Erbach’s Emporium of Automata” is a tantalizing tale about childhood memories, describing an odd emporium of mechanical toys and its unspeakable secrets.

In the offbeat and disturbing “The Butcher’s Daughter” the appalling private affairs of a recently deceased old lady are finally revealed when a couple of newly-weds goes to live in her former house.

“1<_0" is the disquieting report of the gradual physical and spiritual disappearance of a man becoming quite invisible to his own family.

…if you're a daring person ready to experiment with unusual types of fiction, introspective journeys into the human psyche and you're not as old fashioned as I am to require stories with a clear-cut plot and actual characters, I suspect you will greatly enjoy this offbeat book."

Tallest Review…

Posted: May 8, 2013 by douglasthompson in New Titles, News, Reviews, Tallest Stories

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Kate Onyett has reviewed Rhys Hughes’ masterpiece Tallest Stories over at Sein Und Werden Magazine. Kate has written in great depth about the book, indeed to a length probably longer than some of the lightning chapters themselves! This is all good, and we thank her wholeheartedly. The tricky art of paraphrasing starts here, Kate writes:

“This collection isn’t about speculative fiction as platform for socio-political debate. This is taking speculative fiction in its purest form, and stretching it until it squeaks: this is fiction about fiction and the form of it, while bouncing up and down on its tensile limits.

This highly humorous reading experience is Hughes’s biggest work: sixteen years in the making. He explains, in a suitably dry (as he admits) post-script, his point. He wished to create a grand story-cycle that had connections and references between all stories at every point in it with stories from any other point. Thus cometh this book: a testing snippet of a bigger cycle he wishes to work his entire oeuvre into. Reading the sixty-two short pieces: stories, asides, extended puns and shaggy dog stories, one comes across moments that feel almost like extra-textual shout-outs and in-jokes, causing a smirk of appreciation. But on reading again, one realises that the reference is an in-joke to the rest of the volume…

Hughes here is at his most sprightly; a scamp, a will o’ the wisp, a charlatan and trickster, playing with the essence of narrative itself. Claiming by the end that it is possible to stretch the fabric of narrative reality, and by extension what that reality means to us, as reading, thinking, self-describing beings, by the stretching of tales. He elongates them into the tallest balustrades of nonsense possible to prop up an ambitious idea…

According to Hughes’s logic, if a pub is where tall tales are told, a pub that encapsulates the entire universe must thereby contain all tall tales. Therefore all tales in that universe will be tall: ergo emotional, fantastical, wish-fulfilment, metaphorical and parable; describing for the tellers what they wish to be, or what they think people would be better off being. And if the book is meta-fictional, it is suggestive that there is connective truth here; that this universe of tales is our universe, because we have been caught by the characters reading their book; we are complicit with them…

Oh, it’s a clever book; it is bouncy, cheerful, with some really good groaner jokes and puns, and some genuinely moving stories. Of the latter, The Urban Freckle and its tale of literal urban decay, Corneropolis and its lonely seeker and The Smutty Tamarinds and a man’s desperate search to be accepted stand out as particular examples.

It is perfectly possible to ignore and refuse to engage in Hughes’s mind-games and simply enjoy the book entire as a work of exploded, flexibly weird surrealistic fiction. This is, after all, meant to be a book of nonsensical wisdom. It contains exactly what it says on the cover: tall stories; not to be taken entirely seriously. Yet by their very nature, these make for a sparkling collection of vivid snippets, proving that tall writing is valuable for its very kaleidoscopic variety and beauty. This book is full of enough ideas for a handful or more of writers. By keeping the stories short and the subsequent pace brisk, as well as not engaging fully with moribund depths of ‘meaning’, leaving any such to be found by interested readers, Hughes has created a book of deceptive shallowness. Beware a Hughesian puddle- for it inevitably will leave you soaked to the neck!”

Please do read the review in its entirety at Sein Und Werden.